{"id":1088714,"date":"2026-09-28T16:26:07","date_gmt":"2026-09-28T14:26:07","guid":{"rendered":"https:\/\/notastudio.media\/?p=1088714"},"modified":"2026-10-01T13:19:42","modified_gmt":"2026-10-01T11:19:42","slug":"kika-jovanovic-o-arhitekturi-tela-koliko-izmena-je-dovoljno","status":"publish","type":"post","link":"https:\/\/notastudio.media\/sr\/kika-jovanovic-o-arhitekturi-tela-koliko-izmena-je-dovoljno\/","title":{"rendered":"KIKA JOVANOVI\u0106 O ARHITEKTURI TELA: KOLIKO IZMENA JE DOVOLJNO?"},"content":{"rendered":"

[vc_row row_height_percent=“0″ override_padding=“yes“ h_padding=“2″ top_padding=“3″ bottom_padding=“2″ overlay_alpha=“50″ equal_height=“yes“ gutter_size=“4″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ content_parallax=“0″ uncode_shortcode_id=“372771″][vc_column column_width_percent=“100″ align_horizontal=“align_center“ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ sticky=“yes“ width=“1\/2″ uncode_shortcode_id=“526209″][uncode_info_box items=“Categories|do_not_display_prefix“ text_size=“fontsize-mali“ text_transform=“uppercase“ separator=“bullet“ el_class=“mrg-t0″][vc_custom_heading auto_text=“yes“ text_color=“color-plava“ heading_semantic=“h1″ text_size=““ text_transform=“uppercase“ uncode_shortcode_id=“560050″ text_color_type=“uncode-palette“][\/vc_custom_heading][vc_row_inner][vc_column_inner column_width_percent=“100″ align_horizontal=“align_center“ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ width=“1\/1″ uncode_shortcode_id=“214319″ css=“.vc_custom_1784126322743{padding-right: 8% !important;padding-left: 8% !important;}“][vc_custom_heading heading_semantic=“p“ text_font=“font-555555″ text_size=“custom“ text_weight=“500″ uncode_shortcode_id=“208997″ heading_custom_size=“clamp(0.875rem, 0.7857rem + 0.2857vw, 1rem)“]O telu kao prostoru koji stalno ure\u0111ujemo, industriji koja tra\u017ei jo\u0161 jednu korekciju i trenutku kada promena prestaje da bude posao, a postaje pitanje autorstva.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_column_text text_lead=“small“ text_color=“color-rgdb“ uncode_shortcode_id=“666791″ text_color_type=“uncode-palette“]Pi\u0161e: Danilo Ma\u0161kovi\u0107
\nFotografija: Nick Walters, Allegra Messina, Marco Pionato,Yiorgos Kaplanidis[\/vc_column_text][uncode_info_box items=“Date“ text_transform=“uppercase“ separator=“bullet“ el_class=“mrg-t0″][\/vc_column][vc_column width=“1\/2″][vc_single_image media=“1088674″ dynamic=“yes“ media_width_percent=“100″ media_ratio=“three-four“ uncode_shortcode_id=“918011″][vc_column_text text_lead=“small“ text_color=“color-rgdb“ uncode_shortcode_id=“193664″ css=“.vc_custom_1790600197192{margin-top: 5px !important;}“ text_color_type=“uncode-palette“]\u00a9 Nick Walters<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=“0″ override_padding=“yes“ h_padding=“2″ top_padding=“3″ bottom_padding=“3″ overlay_alpha=“50″ gutter_size=“4″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ content_parallax=“0″ uncode_shortcode_id=“212038″][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ width=“1\/2″ uncode_shortcode_id=“204716″][vc_column_text uncode_shortcode_id=“114972″]<\/p>\n

Kristina Kika Jovanovi\u0107 godinama radi u modelingu i autorka je bloga napisalaKika, gde otvoreno pi\u0161e o telu, izgledu, starenju i lepoti iz pozicije nekoga kome je sopstveni izgled dugo bio deo posla. Razgovaramo o telu kao profesionalnom materijalu, industriji koja stalno tra\u017ei jo\u0161 jednu korekciju i trenutku kada izmena prestaje da bude deo procesa, a postaje pitanje autorstva.<\/em><\/p>\n

U kreativnim industrijama postoji jedna re\u010denica koja gotovo nikada ne zna\u010di ono \u0161to obe\u0107ava: jo\u0161 samo jedna izmena<\/em>. Arhitektkinje i arhitekte je \u010duju od investitorki i investitora, dizajnerke i dizajneri od klijentkinja i klijenata, fotografkinje i fotografi na selekcijama, autorke i autori od urednica i urednika. U modelingu je stvar komplikovanija, jer materijal koji se menja nije fajl, nacrt ili kadar. To je telo.<\/p>\n

Kristina Kika Jovanovi\u0107 godinama poznaje taj sistem iznutra. Radila je kroz couture, fittinge, snimanja i revije, prolazila kroz procese ku\u0107a poput St\u00e9phane Rolland, Mugler i Zuhair Murad, dok je paralelno po\u010dela da bele\u017ei bekstejd\u017e i pi\u0161e o izgledu, telu, starenju, lepoti i kontroli. Dovoljno dugo je bila deo te slike da zna kako se ona proizvodi, ali i da prepozna trenutak u kojem korekcija prestaje da bude samo profesionalna.<\/p>\n

Kada je pitam \u0161ta bi njeno telo bilo kada bi zaista bilo arhitektura, odgovara bez velike teorije:<\/p>\n

\u201eKu\u0107a u gradu koja se povremeno izdaje izabranim ljudima na Airbnb-ju.\u201c<\/strong><\/p>\n

Odgovor je sme\u0161an sve dok ne po\u010dne da zvu\u010di kao sasvim ozbiljan poslovni model. Ku\u0107a ima vrata, pravila ulaska, prostorije koje nisu dostupne svima i nekoga ko bi trebalo da odlu\u010duje ko dobija klju\u010d.<\/p>\n

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row_height_percent=“0″ override_padding=“yes“ h_padding=“2″ top_padding=“3″ bottom_padding=“3″ overlay_alpha=“50″ gutter_size=“3″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ content_parallax=“0″ uncode_shortcode_id=“797238″][vc_column width=“1\/1″][vc_gallery el_id=“gallery-1380173″ type=“css_grid“ medias=“1088701,1088703″ grid_items=“2″ screen_lg_items=“2″ screen_lg_breakpoint=“1024″ screen_md_items=“2″ screen_md_breakpoint=“960″ screen_sm_items=“1″ screen_sm_breakpoint=“640″ gutter_size=“3″ media_items=“media|lightbox|original“ css_grid_images_size=“four-three“ single_overlay_opacity=“50″ single_overlay_anim=“no“ single_padding=“2″ single_border=“yes“ uncode_shortcode_id=“124365″][vc_column_text text_lead=“small“ text_color=“color-rgdb“ uncode_shortcode_id=“181142″ css=“.vc_custom_1790601161622{margin-top: 5px !important;}“ text_color_type=“uncode-palette“]\u00a9 Apostolis Koukousas<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=“0″ override_padding=“yes“ h_padding=“2″ top_padding=“3″ bottom_padding=“3″ overlay_alpha=“50″ gutter_size=“4″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ content_parallax=“0″ uncode_shortcode_id=“481113″][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ width=“1\/2″ uncode_shortcode_id=“176496″][vc_custom_heading heading_semantic=“h5″ text_size=““ text_transform=“uppercase“ uncode_shortcode_id=“213044″]JO\u0160 SAMO JEDNA IZMENA[\/vc_custom_heading][vc_column_text uncode_shortcode_id=“158780″]<\/p>\n

U modelingu postoji neobi\u010dna \u010dinjenica koju finalna fotografija lako sakrije: osoba i materijal na kojem se radi fizi\u010dki su ista stvar. Telo se meri, obla\u010di, pomera, koriguje svetlom, \u0161minkom i krojem, ali se na kraju produkcije ne ostavlja u studiju.<\/p>\n

Kod vi\u0161ednevnih snimanja ose\u0107aj profesionalne uloge ume da ostane sa njom jo\u0161 neko vreme. \u201eOse\u0107aj da sam manekenka ostaje du\u017ee sa mnom i tranzicija u Kristinu traje par dana.\u201c<\/strong> Ta tranzicija u Kristinu<\/em> precizno opisuje ono \u0161to ovaj posao radi: profesionalna verzija sebe ne nestane nu\u017eno kada se ugase svetla.<\/p>\n

Kod dugih proba ide jo\u0161 dalje. \u201eNau\u010di\u0161 da se odvoji\u0161 od svog tela i prepusti\u0161 ga profesionalcima.\u201c<\/strong><\/p>\n

To mo\u017ee da zna\u010di iskustvo, poverenje i sposobnost saradnje. U tom procesu drugi pode\u0161avaju ode\u0107u, kosu, \u0161minku, dr\u017eanje i pokret. Ta profesionalna lako\u0107a otvara ozbiljnije pitanje: koliko puta osoba mo\u017ee da posmatra sopstveno telo kao projekat pre nego \u0161to po\u010dne tako da ga posmatra i kada posao prestane?<\/p>\n

Kod St\u00e9phanea Rollanda taj proces opisuje gotovo suprotno, kao kreativnu transformaciju. \u201eMislim da je izuzetno te\u0161ko ne promeniti svoj karakter kad vas St\u00e9phane Rolland obu\u010de.\u201c<\/strong> Govori o snazi, misteriji i zagrljaju od divne tkanine<\/em>, o dr\u017eanju koje se menja i telu koje na nekoliko minuta postane \u201enedodirljivo uzvi\u0161eno bi\u0107e\u201c<\/strong>.<\/p>\n

Ponekad ta promena nije metafori\u010dna. Neki komadi su napravljeni tako da sam \u0161av i kompozicija ode\u0107e dozvoljavaju da se kre\u0107e\u0161 samo na odre\u0111ene na\u010dine<\/em>. Kada coutureu oduzme\u0161 ime ku\u0107e, muziku i spektakl, svodi ga na jednu re\u010d:<\/p>\n

\u201eKroj.\u201c<\/strong><\/p>\n

Konstrukcija sama po sebi nije problem. Problem nastaje kada osoba vi\u0161e ne zna koliko promene jo\u0161 uvek bira sama.<\/p>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_visibility=“yes“ mobile_width=“0″ width=“1\/6″ uncode_shortcode_id=“190731″][\/vc_column][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ sticky=“yes“ width=“1\/3″ uncode_shortcode_id=“569455″][vc_single_image media=“1088705″ media_lightbox=“yes“ media_width_percent=“100″ advanced=“yes“ media_overlay_opacity=“50″ media_overlay_anim=“no“ media_padding=“2″ uncode_shortcode_id=“113128″][vc_column_text text_lead=“small“ text_color=“color-rgdb“ uncode_shortcode_id=“634013″ css=“.vc_custom_1790601369872{margin-top: 5px !important;}“ text_color_type=“uncode-palette“]\u00a9 Marco Pionato<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=“0″ override_padding=“yes“ h_padding=“2″ top_padding=“3″ bottom_padding=“3″ overlay_alpha=“50″ gutter_size=“4″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ content_parallax=“0″ uncode_shortcode_id=“481113″][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ width=“1\/2″ uncode_shortcode_id=“176496″][vc_custom_heading heading_semantic=“h5″ text_size=““ text_transform=“uppercase“ uncode_shortcode_id=“168128″]KO JE TRA\u017dIO OVU KOREKCIJU?[\/vc_custom_heading][vc_column_text uncode_shortcode_id=“147719″]<\/p>\n

Svaki posao zahteva disciplinu, ali modeling je jedna od retkih profesija u kojima se rezultat te discipline vidi direktno na telu. Tu granicu danas povla\u010di vrlo jasno. Ako je ne\u0161to \u0161to se predstavlja kao potrebno za sezonu<\/em> ne\u0161to \u0161to osoba ne \u017eeli, restrikcija hrane, preterani trening ili drugi oblici pritiska prestaju da budu profesionalna obaveza.<\/p>\n

\u201eTo je vr\u0161enje nasilja nad sopstvenim telom.\u201c<\/strong><\/p>\n

Nije svaka promena nasilje, niti je svaka korekcija problem. Va\u017enije je ko je zatra\u017eio izmenu i kada je osoba na nju pristala. U kreativnom poslu feedback vrlo lako postane unutra\u0161nji glas. Dovoljno puta \u010duje\u0161 da bi ne\u0161to trebalo pomeriti, suziti, o\u010distiti, izo\u0161triti ili popraviti i u jednom trenutku vi\u0161e ne zna\u0161 da li gleda\u0161 sopstvenim o\u010dima ili kroz tu\u0111i komentar.<\/p>\n

Savremena kultura lepote taj proces \u010dini jo\u0161 manje vidljivim. Ne tra\u017ei jednog krivca. Kada je pitam ko proizvodi prosek, odgovara: \u201eSvi mi.\u201c<\/strong> Neko postavi normu, neko je prihvati, neko je ponovi i onda, kako ka\u017ee, grudvica snega postane lavina<\/em>.<\/p>\n

Ako pod lepotom podrazumevamo simetriju, za nju je danas \u201eradikalnije ostati specifi\u010dan\u201c<\/strong>. Moda tu \u017eivi u sopstvenom paradoksu: tra\u017ei lice koje \u0107e se pamtiti, a zatim vrlo precizno zna \u0161ta bi na tom licu \u017eelela da naglasi. Na njenom su to izra\u017eenije jagodice i jasnija linija brade.<\/p>\n

To nije samo fashion problem. Svako ko radi u kreativnim industrijama poznaje trenutak kada ne\u0161to \u0161to je jednom bilo specifi\u010dno postane o\u010dekivanje. Dizajnerka ili dizajner dobiju zahtev za jo\u0161 jednom verzijom istog predmeta, arhitektkinja ili arhitekta za jo\u0161 jednom ku\u0107om koja li\u010di na prethodnu, fotografkinja ili fotograf za isti kadar, autorka ili autor za isti glas. Uspeh vrlo lako pretvori stil u \u0161ablon.<\/p>\n

Zato je pitanje koliko izmena je dovoljno?<\/em> manje pitanje izgleda nego autorstva.<\/p>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_visibility=“yes“ mobile_width=“0″ width=“1\/6″ uncode_shortcode_id=“190731″][\/vc_column][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ sticky=“yes“ width=“1\/3″ uncode_shortcode_id=“569455″][vc_single_image media=“1088712″ media_lightbox=“yes“ media_width_percent=“100″ advanced=“yes“ media_overlay_opacity=“50″ media_overlay_anim=“no“ media_padding=“2″ uncode_shortcode_id=“518054″][vc_column_text text_lead=“small“ text_color=“color-rgdb“ uncode_shortcode_id=“350868″ css=“.vc_custom_1790604004340{margin-top: 5px !important;}“ text_color_type=“uncode-palette“]\u00a9 Yiorgos Kaplanidis<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=“0″ override_padding=“yes“ h_padding=“2″ top_padding=“3″ bottom_padding=“3″ overlay_alpha=“50″ gutter_size=“4″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ content_parallax=“0″ uncode_shortcode_id=“481113″][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ width=“1\/2″ uncode_shortcode_id=“176496″][vc_custom_heading heading_semantic=“h5″ text_size=““ text_transform=“uppercase“ uncode_shortcode_id=“161907″]TELO IMA SOPSTVENI BRIEF[\/vc_custom_heading][vc_column_text uncode_shortcode_id=“160411″]<\/p>\n

Razgovor menja te\u017einu kada je pitam \u0161ta njeno telo odbija da zaboravi.<\/p>\n

\u201eIstorija mog tela pamti ne\u017eeljene dodire, uzimanje bez odobrenja i po\u017eude koje nisu smele da budu izgovorene detetu.\u201c<\/strong><\/p>\n

Telo nikada ne dolazi na posao prazno. Sa sobom donosi istoriju dodira, kontrole, bliskosti i straha, stvari koje nisu vidljive ljudima koji ga tog dana obla\u010de, fotografi\u0161u ili usmeravaju. Profesionalni pristup telu zato nikada nije samo tehni\u010dko pitanje. Fitting nije ne\u017eeljeni dodir, kao \u0161to saradnja nije prisvajanje, ali granica izme\u0111u njih mora da pripada osobi \u010dije je telo u pitanju.<\/p>\n

O oporavku ne govori kroz veliku transformaciju. Stare navike, ka\u017ee, nestaju sporije nego \u0161to o\u010dekujemo: \u201eIzle\u010denje tra\u017ei dosta energije, ali je sve to u slu\u017ebi boljeg boravka u sopstvenom telu.\u201c<\/strong><\/p>\n

Bolji boravak<\/em> va\u017eniji je od savr\u0161enog rezultata. Nema zavr\u0161ne verzije osobe koju jednom odobrimo i po\u0161aljemo u produkciju. Postoji niz promena i trenutak kada nau\u010dimo koje su na\u0161e.<\/p>\n

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row_height_percent=“0″ override_padding=“yes“ h_padding=“2″ top_padding=“3″ bottom_padding=“3″ overlay_alpha=“50″ gutter_size=“4″ column_width_percent=“100″ shift_y=“0″ z_index=“0″ content_parallax=“0″ uncode_shortcode_id=“481113″][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ width=“1\/2″ uncode_shortcode_id=“176496″][vc_custom_heading heading_semantic=“h5″ text_size=““ text_transform=“uppercase“ uncode_shortcode_id=“948729″]KO ODOBRAVA FINALNU VERZIJU?[\/vc_custom_heading][vc_column_text uncode_shortcode_id=“564778″]<\/p>\n

Pisanje postaje va\u017ean deo njene pri\u010de, ali ne kao beg od izgleda. Na blogu napisalaKika<\/em> izgledu se vra\u0107a direktno, kroz tekstove o telu, starenju, estetskim standardima i sopstvenom odnosu prema slici. Nije prestala da govori o izgledu; promenila je poziciju iz koje o njemu govori.<\/p>\n

\u201eTrebalo mi je negde da se sakrijem gde sam bila Kika kao re\u010d, a ne Kika kao fotografija.\u201c<\/strong><\/p>\n

Pisanje joj nije ponudilo bekstvo od slike, nego mogu\u0107nost da sama odredi kako \u0107e o toj slici govoriti. Kada je pitam \u0161ta joj je te\u017ee da objavi, fotografiju ili tekst, nema dilemu: tekst. \u201ePi\u0161em da bih bila mirnija, moje bi\u0107e ima ne\u0161to da ka\u017ee i zato pi\u0161em.\u201c <\/strong>Najgore joj je kada uhvati sebe da pi\u0161e zarad dobre reputacije<\/em> umesto zbog unutra\u0161njeg zadovoljstva.<\/p>\n

Tu se najjasnije vidi koliko se njena pozicija promenila. Godine provedene u sistemu koji stalno procenjuje i koriguje izgled nisu joj donele potpunu kontrolu nad procesom, ali jesu precizniju predstavu o tome koji deo kontrole vi\u0161e ne \u017eeli da preda. Samopouzdanje ovde nema mnogo veze sa odbijanjem promene; vi\u0161e li\u010di na sposobnost da razlikuje saradnju od odricanja od sebe.<\/p>\n

Na kraju to svodi na jednostavnu granicu: \u201eAko je vizija fundamentalno protiv mojih vrednosti, onda fotografija. Ako ne mogu da stanem iza svojih re\u010di, onda pisanje.\u201c<\/strong><\/p>\n

Pitanje zato nije da li je trauma osnova profesije modela. To bi bilo i pre\u0161iroko i prejednostavno.<\/p>\n

Mnogo je zanimljivije pitati \u0161ta se doga\u0111a kada industrija koja \u017eivi od izmena radi sa materijalom koji ima sopstvenu istoriju, sopstvene granice i pravo da odbije slede\u0107u verziju.<\/strong><\/p>\n

[\/vc_column_text][\/vc_column][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_visibility=“yes“ mobile_width=“0″ width=“1\/6″ uncode_shortcode_id=“190731″][\/vc_column][vc_column column_width_percent=“100″ gutter_size=“3″ overlay_alpha=“50″ shift_x=“0″ shift_y=“0″ shift_y_down=“0″ z_index=“0″ medium_width=“0″ mobile_width=“0″ sticky=“yes“ width=“1\/3″ uncode_shortcode_id=“569455″][vc_single_image media=“1088709″ media_lightbox=“yes“ media_width_percent=“100″ advanced=“yes“ media_overlay_opacity=“50″ media_overlay_anim=“no“ media_padding=“2″ uncode_shortcode_id=“204851″][vc_column_text text_lead=“small“ text_color=“color-rgdb“ uncode_shortcode_id=“102714″ css=“.vc_custom_1790603101802{margin-top: 5px !important;}“ text_color_type=“uncode-palette“]Fotografija: Privatna arhiva[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

O telu kao prostoru koji stalno ure\u0111ujemo, industriji koja tra\u017ei jo\u0161 jednu korekciju i trenutku kada promena prestaje da bude posao, a postaje pitanje autorstva.<\/p>\n","protected":false},"author":215,"featured_media":1088692,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","iawp_total_views":159,"footnotes":""},"categories":[187],"tags":[],"class_list":["post-1088714","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-razgovori"],"_links":{"self":[{"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/posts\/1088714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/users\/215"}],"replies":[{"embeddable":true,"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/comments?post=1088714"}],"version-history":[{"count":5,"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/posts\/1088714\/revisions"}],"predecessor-version":[{"id":1088719,"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/posts\/1088714\/revisions\/1088719"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/media\/1088692"}],"wp:attachment":[{"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/media?parent=1088714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/categories?post=1088714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/notastudio.media\/sr\/wp-json\/wp\/v2\/tags?post=1088714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}